REALFLOW TUTORIAL 2014 HOW TO
REALFLOW TUTORIAL 2014 FREE

If “Radius” is too small then the spheres might not interpenetrate and you will see a torn fluid with holes. The radius of these spheres is adjusted with the emitter-related settings:Ĭlick on the mesh node's “Square01” alias. Now click on the emitter alias and you will find two more panels: when you create a mesh, the engine puts small spheres at the particles' positions and blends them to create a coherent surface. The most important settings are located under “Mesh”. The mesh node now has an alias of “Square01” attached.Ī click on the mesh node itself reveals a wide variety of settings under “Node Params”, but not all of them are relevant for a good mesh. Nodes > ParticleMesh01 > right-click > Insert emitters > choose “Square01” Choose a frame with lots of details, and follow these instructions: This scene contains two emitters, but only the “Square01” node will be meshed, while the fluid from “Container01” should be rendered as particles. Shading modes are toggled with the 7, 8, 9, and 0 keys. Viewport perspective is changed with the 1, 2, 3, and 4 keys. RealFlow nodes can be moved, scaled, and rotated with the W, R, and E keys.

REALFLOW TUTORIAL 2014 HOW TO

In this workshop you will learn how to mesh the results from the “ Foam with SPH Fluids” and “ Shattered Glass” lessons.Ī mesh with particles from the 'Foam with SPH Fluids' tutorial.ġ “Particle mesh” node (not the “legacy” engine)Īll scene elements can be added from RealFlow's “Edit” menu:

REALFLOW TUTORIAL 2014 FREE

If you have any questions, please feel free to contact us here.If you went through the fluid tutorials you might have been missing one thing: mesh creation. – You can link almost every other parameter to the postion of the boxes. – If the emitter`s speed is too high or low, go to your curve editor and multiply or divide your expression, so instead of writing „“ you can write „*2“ for example. Equalize the fps-settings for your 3D-program and realflow, otherwise you`ll get a shift between sound and animation. Repeat these steps until you have linked each box to an emitter, save your scene and click simulate. In Curve Editor we now just have to change box001 to box002 in expressions-dialogue. Go to „Speed“ and again right click and choose „Open Curve“. Make a copy of the circle-emitter and position it next to the first one. The emitter`s speed is now linked to the z-position of the first cube. On the bottom right of your curve editor click on „Insert“. You can enable the Curve Editor by pressing F8 or going to Layout-section in the main-menu. Select the circle-emitter, right click on „Speed“ and select „Open Curve“. Scale up the kVolume to 500 in x and y and set „inverse“ to yes. Also we have to activate „SD Curve“ to convert the transitions to a curve.Ĭreate a circle-emitter and rotate it 180 degrees in the x-axis.Īdd a „gravity-deamon“ and a „kVolume-deamon“. We just need the postion of the cubes, so we can set them inactive. Hint: To playback sound-files in realtime, go to „Dope-Sheet-Editor“, double-click on sound and choose the file you want to playback. Repeat these two steps for every single cube and select different soundfiles for each cube. Select one cube, go to motion-panel, select the cube`s z-position, go to „assign controller“ and choose „audio float“.Ĭhoose your soundfile and set the „Max“ of „Controller Range“ to 100. Open 3ds Max, create five cubes (the number of audio-tracks you`ll use) and position them next to each other. Export the individual audio-tracks into single soundfiles. Beside you can see the timeline of the sound i used for the tutorial. I will not explain the workflow in Music Maker, you will find a lot of tutorials on youtube, vimeo, etc. You can also use one single soundfile, but you`ll have more flexibility, if you are able to split the soundfiles into single loops. Let`s get started: For this tutorial i have used multiple sound layers, made with Magix Music Maker 2013.

Realflow tutorial 2014